Current Exhibitions
Gallery I
October 6 – October 31, 2026
Rae Broyles and Faedriel
MIGRATIONS:
Soul Memories – Neomythist Prophecies
Reception: Thu, Oct. 8, 6-8 PM
Biejvve (The Sun Goddess), 2026, Acrylic on Maple Panel with Hand Leafed Aluminum, 60 x 36″
| As artificial intelligence reshapes how we create, remember, and imagine the future, MIGRATIONS: Soul Memories • Neomythist Prophecies asks a simple question: What parts of our humanity must never be forgotten? The exhibition combines painting, photography, sculpture, installation, poetry, video, and AI-generated imagery to explore memory, identity, and the relationship between human creativity and artificial intelligence. Inspired by the landscapes of northern Norway and informed by the philosophies and cultural history of the Sámi people, the exhibition reflects on how cultural memory endures as technology transforms the ways we create, communicate, and preserve knowledge. Rather than looking backward, MIGRATIONS asks how humanity’s oldest wisdom might help guide its newest technologies. This exhibition introduces Neomythism, an artistic framework developed by Faedriel that explores the new myths emerging between humans and intelligent machines. Large-scale mixed-media works, immersive installations, poetry, and AI-generated imagery invite viewers to consider what is worth carrying forward into an increasingly digital future. Presented with deep respect for the living Sámi people, MIGRATIONS reflects on universal questions of memory, identity, ecological responsibility, and humanity’s enduring search for meaning. raebroyles@icloud.com |
Gallery II
October 6 – October 31, 2026
Judith Greenwald
Taming Chaos
Opening Reception: Thu, Oct. 8, 6-8 PM
| Taming Chaos Explores the Possibility of Balance in an Unpredictable World In Taming Chaos, Judith Greenwald presents a body of work that examines the tension between disorder and structure, unpredictability and intention. Responding to a world that can feel increasingly chaotic and overwhelming, the series considers how moments of balance and clarity can emerge even when the forces surrounding us cannot be fully controlled. Each work begins with the deliberate creation of disorder on the panel—through spontaneous marks, unruly colors, paint, and forms that resist containment. Over time, this approach led the artist to incorporate alcohol inks, whose luminous fluidity and unpredictable movement offered another way to generate and engage with chaos. Sometimes the inks initiate the composition; at other times, they enter later, spreading, merging, and shifting among existing marks and layers. Rather than beginning with a predetermined composition, Greenwald responds to what unfolds, creating a visual conversation between accident and intention, impulse and restraint, chaos and order. As each piece develops, the artist introduces lines, shapes, and patterns that direct the eye, anchor the composition, and create rhythm.The original chaos remains visible beneath the surface, while each additional intervention becomes an expression of agency. Although what has already occurred cannot be undone or entirely controlled, it can be shaped, answered, and brought into a state of provisional balance. The works do not attempt to erase or suppress disorder. Instead, they preserve its vitality while transforming it into something intentional and resonant. In this sense, Taming Chaos reflects the way people navigate uncertainty in their own lives: accepting what lies beyond their control while recognizing their capacity to choose, respond, and create meaning. Each completed work offers not a perfect resolution, but a moment of balance—a reminder that even when chaos remains beneath the surface, human agency can bring structure, meaning, and beauty to what emerges. www.judithgreenwald.com |
| Ceres Gallery is a feminist, not-for-profit, alternative gallery space, founded in 1984 as a program of the New York Feminist Art Institute (NYFAI). Its mission is to promote contemporary women in the arts by providing exhibition space that raises public awareness and addresses the limited access women have had to commercial art galleries and to the public conversation that develops from that access. gallery hours, Tue – Sat 12-6 PM |
UPCOMING EXHIBITIONS
November 3 – 28, 2026
Mary Ahern
Jane Stevens