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STATEMENT
My clay totemic figures are the physical manifestation of an evolving process. It is both quest and immersion - to see and feel the earth. The forms invoke the ritual traditions of specific cultures and the climate and landscape of many continents. My artistic goal is to convey the transcendental powers of timeless wisdom and the intrinsic beauty of the natural world.
I draw inspiration from the rites and ceremonies of ancient cultures including my native Japan. When I travel, I intentionally spend time in the communities and become familiar with the environment. I learn about and interact with the native people; I hear their stories. I learn from the artists and craftspeople. I observe their skill and their soulful connection to nature. Their ways of incorporating the signs, symbols and landscape of their cultural experience deeply influence my way of seeing, conceptualizing and art making.
Clay has been my primary medium for twenty years. It informs my creative process as its kinetic and transformative properties carry on a dialogue - a give and take - with my fingers. It is an ancient material, combined with the complementary elements of water and fire. It is a grounding, a basic yet energetic and dynamic process. The materials of clay and earth are unique to each place. They incorporate and define themselves in sculpture in different ways.
These experiences help me learn the power of the five fundamental elements of Earth. They instill within me a sincere appreciation and respect that surely our ancestors had.
Ayano Ohmi
ohmi826@yahoo.com
http://www.ayanoohmi.com
Born in Tokyo, Japan. Live and Work in NYC
Education |
1998 |
MFA, City College of New York (CCNY), Major in Sculpture |
Solo Exhibitions |
2011 |
Ceres Gallery, New York, NY |
2006 |
The Art of the Tree, Totems in Garden, Mariani’s Garden Market, Armonk, NY
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2005 |
El Kiai Del Silencio. Galerias Punta Cana, Dominican Republic |
2004 |
IRADAC Gallery, The Office of the President, The City College of New York, NY |
2002 |
Studio D'ars, Milan, Italy |
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Museo de Casa de Asia, Old Havana, Cuba |
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Danny Simmons' Corridor Gallery, Brooklyn, New York |
2001 |
Barbara Greene Fine Art, New York 2000 Stephen Gang Gallery, New York |
2000 |
Stephen Gang Gallery, New York |
Group Exhibitions |
2009 |
Shimmering, Ceres Gallery, New York, NY |
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Endangered, Gloria Kennedy Gallery, Dumbo-Brooklyn, NY
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2008 |
All Fired Up, Maxwell Fine Arts, Peekskill, New York |
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Shigaraki Outdoor Exhibition, Shigaraki, Japan |
2007 |
III Int'l Biennial of Contemporary Ceramics, San Nicolas, Buenos Aires Argentina |
2006 |
Two Women's Ceramic Exhibiton, Tokyo, Japan |
2005 |
S.O.F.A. Art Fair. Presented by G.R.N'namdi Gallery, Navy Pier, Chicago. IL |
2004 |
Summer Exhibition: Sculptures by A. Ohmi; G.R.N'Namdi Gallery, Detroit, MI |
2003 |
Int’l Works on Paper Exhibition, William Whipple Gallery, Marshall, MN |
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Memory & Place, The 1st CCNY Biennial Exhibition, New York |
2002 |
Platos de Ceramica,Museo de Las Casas Reales, Santo Domingo, Dominican Rep. |
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International Ceramic Triennial, Museum of Modern Art, Dominican Republic |
2001 |
Biennale Internazionale Dell'Arte Contemporanea, Citta di Firenze, Florence, Italy |
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Three Artists Exhibition, Galeria Altos de Chavon, Dominican Republic |
2000 |
A woman's Space Is, Ben Shahn Gallery, William Patterson University, Wayne, NJ
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Fragments: Collage and Assemblage, The Isa Art Foundation, New York
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Grants and Awards |
2010 |
Artist-in-Residence, Zentrum fur Keramik, Berlin. Germany |
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Kiln God Award, Watershed Ctr. for the Ceramic Arts, Newcastle, ME |
2009 |
Artist-in-Residence, Guldagergaard, Skaelskor, Denmark |
2008 |
Artist-in-residence, Shigaraki Ceramic Cultural Park, Shigaraki, Japan
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2007 |
II SaNsA Int'l Art Workshop, Kokrobite Institute, Ghana |
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VIII Shimposio de Ceramica, Instituto Municipal de Ceramica de Avellaneda, Buenos Aires, Argentina |
2005 |
Fellowship for Solo Exhibition at Punta Cana Art Gallery, Fundacion Igneri, Dom. Republic |
2005/6 |
Artist-in-residence, Shigaraki Ceramic Cultural Park, , Shigaraki, Japan |
2004 |
Artist Angel Fellowship, The Carving Studio & Sculpture Center, West Ruthland, VT, USA |
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Artist in Residency Grant, Art OMI International Arts Center, NY |
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Scholarship, Spring 2004 for Ceramic Symposium, Watershed Ctr. for the Ceramic Arts, Newcastle, ME |
2003 |
Pollock Krasner Foundation Inc. New York, NY 2003 PREMIO - Elit-tile |
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II Trienal de Mosaico Ceramico, Museo del Arte, Santo Domingo, Dom. Republic |
2001 |
Artist in Residence, Altos de Chavon Cultural Center Foundation, Dominican Republic |
Lectures |
2007 |
Art Forum, Kokorbite Institute, Ghana |
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Lecture Series, “My work from 1995 to Present”, Instituto Municipal de Ceramica de Avellaneda, Buenos Aires, Argentina |
2005 |
Art Forum Lecture Series, “Creating Stand-Alone Sculpture”, Montclair State Univ. NJ |
2003 |
Lecture Series, "Installation Technique", Valley School, The Krishnamurthi Foundation, India |
2002 |
Slide Lecture, "Process of Installation, Sabda", Studio D'ars, Milan, Italy |
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Lecture, "Meditative Scenery", Casa de Asia, Havana, Cuba |
1994 |
Japanese Arts/Craft, Japanese Calligraphy, Granville Village School, Granville, MA, USA |
1994-6 |
Gallery Lectures for Exhibitions, Guggenheim Museum, NY |
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Owusu, George Clifford, Daily Guide, Nov.22, 2007, Ghana
The Heritage, No.629, Nov.23, 2007, Ghana
La Ciudad, 31 de mayo 2007, Buenos Aires, Argentina
Miller, Jeannette, Ceramics TECHNICAL magazine No.19, 2004-5 - Cover Photo, Australia
Senra, Rafael Lopez, OPUS HABANA, Oficina del Historiador de la Ciudad. VI, No. 3, 2002, Cuba
Venuti, Silvia, Corriere dell’Arte, Milan, December 2002, Italy
Preston, George Nelson, American Ceramic Magazine 14/1, 2002, USA
De Tolentino, Marianne, VENTANA, Santo Domingo, 19 de Agosto 2001, Dominican Republic
Keane, Howard, Gallery & Studio, May/June 1999, USA
Downes, Lawrence, Gallery & Studio, September/October 1998, USA
New Directions in Japanese Music (Catalogue), Japan Society, New York 1998, USA
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Publication
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1999 |
In Search of the Spirit: The Living National Treasures of Japan. William Morrow Jr. Books |
Collections
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Guldagergaard, Skaelskor, Denmark
SaNsA Association, Kumasi, Ghana
G.R.N’Namdi gallery, Detroit, MI, USA
Institute Municipal de Ceramica de Avellaneda, Buenos Aires, Argentina
Shigaraki Ceramic Center and Park, Shigaraki, Japan
Fundacion Igneri, Santo Domingo, Dominican Republic
Art OMI, New York, USA
The Krishnamurti Foundation India, The Valley School, Bangalore, India
Casa de Asia de la Oficina del Historiador, Havana, Cuba
Barbara Greene Gallery, New York, USA
Danny Simmons' Corridor Gallery, New York, USA
Museum of Art and Origin, New York, USA
Sony Corporation of America, New York, USA
William Whipple Art Gallery, Southwest State Univ. Marchall, Minnesota, USA
Jane Voorhees Zimmerli Art Museum, Rutgers University, Brunswick, NJ, USA
Various private collections in the United States, Dominican Republic, Cuba, India and Japan
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547 West 27th Street Suite 201 New York, NY 10001 : 212-947-6100 :art@ceresgallery.org
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